2013年4月25日星期四

Studio Work 4 B10034013 邱子喬

1. Poetic v.s. limited

詩意的形象或是形體應該是能夠自由延伸的，不需要加以侷限，也沒有邊界約束。
不同人、不同時間、不同地點、不同事情、不同物件，詩意能給予的感受往往不相同。
她也能讓既有的事物跳脫本質，擁有另外的意象，甚至是轉化成別種物品。
一切的形象都能夠由觀者自己做決定。

2. Find at least 3 examples of "poetic material" (Poetic v.s. limited)

2013年4月23日星期二

Studio Work 4 B10034028 莊孟翰

1. Poetic v.s. Immediacy

詩意的描述和詮釋關乎個人的經驗，由個人主觀的發出（詩意的）訊息，再由資訊接收者主觀的去尋找溝通點，不在乎訊息傳達明確與否，而是訊息解讀的多樣自由和觸發過往經驗。

Institut du Monde Arabe by Jean Nouvel

Wood Veneer Lamp by Enrico Zanolla

Aurora Light Form by Dean Hopkins

3. Tadao Ando

2013年4月22日星期一

Studio Work 4 B10034016賴泉潓

1.poetic & directive
詩的語言是不直接的，是隱晦的，隱喻的。直接的語言無法鋪陳意像與美感，但詩意的語言能夠帶來情境與想像。

2.

3.nike music shoe

This shoes can detect the power and the motion you put on the shoes.

And the information become the controller of the mixer.

Therefore , people can play the music when they move.

Designer: HIFANA

http://www.hifana.com

Hifana (ハイファナ"South Winds" in the Okinawan dialect) is a Japanese breakbeat musical duo, composed of KEIZOmachine! (Keizo Fukuda) and Juicy (Jun Miyata). The group formed in 1998.

Hifana are notable for using a variety of devices and instruments, both in the studio, and during their live performances which they play without pre-recordings, including: turntables, Akai MPC sampler, Roland HandSonic (percussion multi-pad), DJM-909 battle mixer, DJM-800 mixer, and DVJ (DVD/CD) decks which they helped to develop with Pioneer, and a set of drums with timbales, cymbals, woodblocks and cowbells. They also spend many hours playing with pairs of asalato, a West African percussion instrument.

Studio Work5 B10010024 高李恩

SA5 B9810122

Studio Work4 B10034019 吳俊儀

1.
poetic vs. descriptive
詩意的表達不是那麼直接性的，是一種朦朧的、較意識形態的形容。

2.

↑Cinématique - Compagnie Adrien M(連結)

ETIENNE MENEAU

It seems there has always been a parallel between wine and art. Indeed, many winemakers would argue that creativity is integral in the profession, and there are certainly artists who would agree.

Yet for Etienne Meneau, a French sculptor with over four decades in the discipline, the relationship can be much more interconnected. The creator of a collection of intricate glass sculptures, StrangeCarafes, his art is visually stunning yet functional decanters.

Here, he explains his inspiration and his view towards the purpose behind his intriguing objects.

CENTURION: WHEN DID YOUR LOVE OF ART BEGIN?
Etienne Meneau: It began at 15. At that time I made my first artworks with my 'Petit Chimiste' box. During my youth I was torn between being a surgeon or a pastry chef, but I was totally resistant to order and rules, so I decided to be an artist!