poetic interaction is a kind of discovery. The inspiration could not be expressed by words. When we are trying to capture the inspiration, the poetry fades. Therefore, too much adornment and description is a rejection to the poetry.When you set a tone and others have the feelings gushed from their minds subconsciously, you're creating the atmosphere beyond the works. The moment when others inspired by those connections from the works is called infinity which cannot be expressed by words.
1. frame "poetic" in contrast with another term.
poetic vs. unromantic
poetic vs. industrialization
poetic vs. uninteresting
poetic vs. unmerciful
poetic vs. unromantic
poetic vs. industrialization
poetic vs. uninteresting
poetic vs. unmerciful
2. find at least 3 examples of "poetic material" (of course, in contrast to other notions).
contrast：
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marble：sculpture
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iron：cold arms
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ceramics：brief
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artificial：complex
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woodiness：pure
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combining：popular
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woodiness：warmth
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iron：Cold
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3. search and introduce at least 1 interaction/industrial designer who present "poetic" quality of design.
1. Laurie Beckerman
Born in Brooklyn, Laurie Beckerman graduated from New York University with a bachelor's degree in anthropology. She received a bachelor's degree in architecture from Pratt Institute, and, after graduation, designed low-income housing in Brooklyn and Harlem for the Pratt Architectural Collaborative. She also worked for Steven Holl Architects, and in the architectural setting-out shop at the Cathedral Church of Saint John the Divine. At the Cathedral, she drafted templates that were used by the stone carvers to create stones for the facade of the Jewish Museum. She spent every lunch hour in the stoneyard learning the craft of carving. Her passion and respect for material deepened, and her desire to become a furniture designer began when she carved her first table out of stone.
Magnum opus：
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| Ionic Bench |
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| Rings of Steel |
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| Butterfly Chair |
Filing Tree
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| Cobra Desk |
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| wings of steel |
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| Sheer Coffee Table |
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Whistle Lamp
/ Born in 1981 in Bassano del Grappa (VI). His passion for Street Art led him to develop illustrated works with a sensitive attention to detail and subject matter. In 2006 he earned his diploma from the Italian School of Design in Padua, participating in various workshops for important Italian companies. In 2006, he began his collaboration with JoeVellu to Studio (JVLT), developing communications projects and designing products and installations. In 2010, he presented Wood-Stock, a connection between an artificial and industrial product and a more sustainable approach.
He works as a freelance designer, creating networks between people, stories and know-how.
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/ oak wood, wicker, ceramics, decoration with colored earths.
Social networks always existed, but “network” is certainly a contemporary term. Networks connecting people, events and places: for these reasons, Europe is a mass of connections.
&ABILITY wants to interpret networks as personal and business intersections reflecting culture and land, through unique and matchless know-how. Wicker weaving, decorated weaves on ceramics: different materials and processing, to develop and rise the tradition in which identify, to interface with “the diverse”, promoting innovation.
The name itself, &ABILITY, is the union between the junction par excellence, “&”, (from Latin, Et) and
“ability”, to underline the importance of sharing different expertise.
&ABILITY is made of one wooden table holding different components: lampshades, bowls, wicker baskets or ceramic vases, each of them carrying its own identity, even though they’re part of the same project. In the same way we live, independent people but citizens of a larger community: Europe.
Components are connected in a dynamic dialogue and may be combined upon user’s taste and needs, creating different compositions, in which weaving is the continuity element.
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